- About the Author
British artists and commentators in the late 18th and early 19th century encoded the twin aspirations of progress and power in images and descriptions of Southeast Asia’s ruined Hindu and Buddhist candis, pagodas, wats and monuments. To the British eye, images of the remains of past civilisations allowed, indeed stimulated, philosophical meditations on the rise and decline of entire empires. Ruins were witnesses to the fall, humbling and disturbingly prophetic, (and so revealing more about British attitudes than they do about Southeast Asia’s cultural remains). This important study of a highly appealing but relatively neglected body of work adds multiple dimensions to the history of art and image production in Britain of the period, showing how the anxieties of empire were encoded in the genre of landscape paintings and prints.
“A substantial new contribution to the history of British art... adds a fascinating new chapter to recent scholarship on landscape painting.”
-Tim Barringer, Paul Mellon Professor of the History of Art, Yale University
Sarah Tiffin was formerly Curator of Asian Art at the Queensland Art Gallery. She is the author of Sparse Shadows, Flying Pearls: A Japanese Screen Revealed.
Cover Type: Hardcover
Page Count: 316
Year Published: 2016
Size: 235mm x 187mm