The Tensorate novellas, beginning with The Black Tides of Heaven, have garnered critical acclaim, and have been nominated for almost every major SFF award (Hugo, Nebula, World Fantasy, Otherwise, Locus).
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The Protector is dead.
For fifty years, the Protector ruled, reshaping her country in her image and driving her enemies to the corners of the map. For half a century the world turned around her as she built her armies, trained her Tensors, and grasped at the reins of fate itself. Now she is dead. Her followers will quiver, her enemies rejoice.
But in one tavern, deep in rebel territory, her greatest enemy drowns her sorrows. Lady Han raised a movement that sought the Protector's head, yet now she can only mourn her loss. She remembers how it all began, when the Protector was young, not yet crowned, and a desperate dancing girl dared to fall in love with her.
"A rebel commander in a complicated fantasy world recalls her triumphs and struggles in Yang's superb fourth Tensorate novella. This thrilling adventure stands alone, as well as providing moving, complicated backstory for the earlier books in the series. Both fans and newcomers will be enthralled."
—Publishers Weekly on The Ascent to Godhood
"Joyously wild stuff. Highly recommended."
—The New York Times
"Yang's masterful world building is on display, from the manipulation of the metaphysical "slack" to the creatures who inhabit the harsh mountains, made even more impressive by the nonlinear narrative structure. The Old World feel of their "silkpunk" fantasy is made modern by smoothly interwoven gender-nonbinary characters, whose richness enhances the emotional impact of this short but compelling work."
—Booklist on The Descent of Monsters
"Yang conjures up a world of magic and machines, wild monsters and sophisticated civilizations, that you'll want to return to again and again."
—Annalee Newitz for Ars Technica
"Full of love and loss, confrontation and discovery. Each moment is a glistening pearl, all strung together in a wonder of world-creation."
—Ken Liu, Nebula, Hugo, and World Fantasy Award winner and author of The Grace of Kings and The Paper Menagerie
"I love JY Yang's effortlessly fascinating world-building."
—Kate Elliott, author of Black Wolves and Court of Fives
"A fascinating world of battles, politics, magic and romance."
—Zen Cho, author of Sorcerer to the Crown
"Filled with memorable characters and set in a wonderfully imaginative and original universe."
—Aliette de Bodard, Nebula Award-winning author of The House of Shattered Wings
"Like a Miyazaki movie decided to jump off the screen and sear itself into prose, and in doing so became something entirely new."
—Indrapramit Das, author of The Devourers
"Relentlessly captivating, heartbreaking, and powerful."
—Fran Wilde, award-winning, Nebula & Hugo-nominated author of Updraft, Cloudbound, and Horizon
"Yang's prose carries the reader along... A really good book."
—Locus on The Black Tides of Heaven
"Yang deftly creates a world infused with magic, story, and hierarchy."
—Joel Cunningham, B&N Sci-Fi and Fantasy Blog
"Yang's writing is quiet, but it is the quiet of strength. It doesn't need to shout to be heard."
—Michelle West for The Magazine of Fantasy and Science Fiction
"Yang captures an epic sweep in compact, precise prose."
—Publishers Weekly starred review on The Black Tides of Heaven
"I haven't actually read much this year so I don't have much to draw from, but a set of books I really enjoyed this year is JY Yang's Tensorate tetralogy. It's made up of four short books: The Red Threads of Fortune, The Black Tides of Heaven, The Descent of Monsters, and The Ascent to Godhood, which were published from 2017 to this year. I took the time to re-read all four now that the series is complete, and really enjoyed it. It's a terrific blend of science fiction and fantasy, which has been called "silkpunk". The arc of Yang’s story is really relevant to our current times: It’s a story about power in society, and how corruption grows in the presence of power, no matter how noble or altruistic one's original intentions are. I also like how Yang uses different ways of telling stories. The Red Threads of Fortune and The Black Tides of Heaven are relatively conventionally told, but Yang takes a slightly different approach with The Descent of Monsters, writing out a thriller through the use of official reports, documents, and letters (appeals to me as a historian) and The Ascent of Godhood is a one-sided conversation between Lady Han and an unnamed partner."
—Thum Ping Tjin, historian, in "My Book of the Year 2019", Singapore Unbound
